Coming up empty as you try to write your speech? Wondering why your presentations aren’t landing quite as well as you know they should? You probably know you should connect emotionally with your audience — but maybe you need to think through just what kind of emotional connection you’re both looking for.
we love to hear how superheroes got their powers — their origin stories. And audiences will want to hear yours, too. Here’s how to tell the story of how you got here in a way that connects with your audience and even moves them to action… faster (cough) than a speaking bullet.
As leaders, it can be tempting to forget that not everyone likes being the centre of attention. And when you have an audience, you can all too easily throw a harsh, unforgiving spotlight onto someone who isn’t ready for it. This episode, we look at how to wield your audience’s attention responsibly, whether it’s from the stage or online.
This summer’s film Long Shot is an entire movie about how speechwriter and speaker relate to each other. And it has something to teach us about making that relationship work — and how the key ingredient is time.
What does a speech look like stripped of the craft of speechwriting? HBO’s hit show Succession gave us a glimpse with a hilarious eulogy delivered by character Connor Roy… and in the process, helps speechwriters and speakers avoid delivering dull, lifeless speeches.
You can write a speech for a someone. Read it through. Rehearse with the speaker. But you won’t really know how effective it is unless you’re there when they deliver it. This episode: why speechwriters should fight for a spot in the audience, and how to use it to write better speeches.
A lot of speakers who’d happily get up in front of a thousand-person audience start getting the shakes at the thought of speaking to children or (gulp) teens. Fortunately, we have child-and-teen author Robin Stevenson here to share her experience speaking in front of countless school auditoriums and classrooms. She’ll tell us how you can keep your next young audience rapt from beginning to end.
Ep. 42. Speechwriters of the world, unite! Creating communities of practice: interview with Elana Aptowitzer
Writing is usually a pretty solitary pursuit. But solitary doesn’t have to mean isolated. Find out how Elana Aptowitzer created a community of speechwriters inside the Canadian public service — and how you can start building a community of your own.
We’ve focused on speaking and speechwriting in the podcast — but there’s more than one way to connect with an audience. And one of the best: the venerable op-ed piece. Today’s guest knows op-eds better than anyone I know: Professor Mira Sucharov is the author of Public Influence, and a prolific writer of op-eds.
If you really want your audience to care about what you’re saying, they need to know you care about it too. And that starts with the attitude you project… and the stands you’re willing to take.
Quotations are one of a speechwriter’s essential tools — right up there with metaphors, jokes and 3 a.m. espresso. But borrowed eloquence doesn’t always work out, and as handy as a quotation can be, using it requires care. This episode looks at how to use quotations to elevate your whole speech, and how another person’s fine words can make yours shine even brighter.
Most of us like to think of ourselves as basically honest people. But as speakers and speechwriters, it’s surprisingly easy to find ourselves misleading our audiences: accidentally or (gulp) deliberately. Find out how — even with the best intentions — you may be leading your audience astray… and how to get back onto the path of truth.