What does a speech look like stripped of the craft of speechwriting? HBO’s hit show Succession gave us a glimpse with a hilarious eulogy delivered by character Connor Roy… and in the process, helps speechwriters and speakers avoid delivering dull, lifeless speeches.
You can write a speech for a someone. Read it through. Rehearse with the speaker. But you won’t really know how effective it is unless you’re there when they deliver it. This episode: why speechwriters should fight for a spot in the audience, and how to use it to write better speeches.
A lot of speakers who’d happily get up in front of a thousand-person audience start getting the shakes at the thought of speaking to children or (gulp) teens. Fortunately, we have child-and-teen author Robin Stevenson here to share her experience speaking in front of countless school auditoriums and classrooms. She’ll tell us how you can keep your next young audience rapt from beginning to end.
Writing is usually a pretty solitary pursuit. But solitary doesn’t have to mean isolated. Find out how Elana Aptowitzer created a community of speechwriters inside the Canadian public service — and how you can start building a community of your own.
We’ve focused on speaking and speechwriting in the podcast — but there’s more than one way to connect with an audience. And one of the best: the venerable op-ed piece. Today’s guest knows op-eds better than anyone I know: Professor Mira Sucharov is the author of Public Influence, and a prolific writer of op-eds.
If you really want your audience to care about what you’re saying, they need to know you care about it too. And that starts with the attitude you project… and the stands you’re willing to take.
Looking for advice on public speaking, speechwriting and leadership communications? Here are some of my most comprehensive posts, on topics that people ask me about most often.
