Tag: video

  • Put the audience first. Keep it simple. And other lessons from helping to run my first online convention.

    Put the audience first. Keep it simple. And other lessons from helping to run my first online convention.

    Last November, the BC Federation of Labour held its first-ever online convention. The response from our hundreds of delegates was overwhelmingly positive, and we learned plenty.

    I always keep my eyes peeled for things that make online speeches and presentations work well, and this convention was a chance to see them in action from behind the scenes. This issue shares the most important lessons that I took from it all, both for event convenors and for speakers.

    But the most important thing I (re-)learned was this: Put the people before the technology. Every nifty-cool feature of every platform is just a means to an end: connecting human beings. option, or what our website’s fancy animated background looked like. (Trick question. We didn’t have one.) But they’ll remember the voices they heard, the people they connected with, the policies they helped to pass — and the feeling of satisfaction at the work they did together.

    Here’s what I learned about…

    Planning and strategy

    Make every decision through the lens of your audience and the experience you want them to have.

    We tried to put ourselves in delegates’ shoes (or comfy work-from-home slippers). What will serve them? What’s going to keep them engaged? What environment are they likely to be in: a purpose-built work-from-home space, or the dining room table? And at a macro level, what did they want from each stage of convention: entertainment? information? connection? inspiration and motivation? and in what proportions?

    Lesson for speakers: With an online event, it’s more important than ever to get to know your audience and understand what they’re looking for from you. Otherwise it’s easy to lose them to multitasking or just stepping away from the screen.

    Keep it simple, simple, simple.

    When it comes to online events, a lot of us (and a lot of your audience) are still getting our sea legs. Make things simple and straightforward, from your on-screen layout and design choices to the activities you invite participants to join.

    Lesson for speakers: Simplicity works for you too. Keep your background uncluttered, so you’re not competing with it for attention. If you have slides, keep them very simple. Just a few words on the screen. Charts that make a single clear point. Simple, striking visuals. Strip away everything that can distract from you and your message.

    Rehearse, rehearse, rehearse.

    Few things have reminded me more of the old saying that “you don’t know what you don’t know” than preparing for this convention. We anticipated a whole raft of potential issues coming up; rehearsal showed us how many more could arise. A full technical run-through is a must, and consider having more than one.

    Lesson for speakers: Offline, rehearsal is a must — and it’s even more important for online presentations. Practice your presentation — and if you’re delivering it live, practice it using the event platform, whether that’s Zoom or some other service. Know where the buttons are for taking questions, running polls, bringing your slides up or hiding them. When your side of things runs smoothly, your audience stays engaged… and the event organizers love you for it.

    Have a plan B, for when (not if) things go sideways.

    Think in terms of contingencies and scenarios. What if you lose power just as you’re getting under way? (It happened to us!) What if a speaker drops out at the last minute? What if the slides don’t play, the clip is corrupted, a participant tries to take over the chat..? Know how you’ll handle each of these contingencies, and you won’t be scrambling if they arise.

    Lesson for speakers: You have some scenarios to think about, too. What if your Internet connection fails? Will you be able to use your phone and mobile data as a fallback? How about if your computer crashes — is your presentation loaded and ready to go on a backup computer? Or if your kids start arguing loudly outside your door while your partner is indisposed? Think about some likely scenarios, and either figure out how you’ll handle them… or take steps to make sure they don’t come up.

    Ask for help early and often.

    We talked to other unions that had held online conventions, consulted with our own networks and generally relied on the kindness of friends. And we checked in constantly with our tech partners to confirm the decisions we were making would make the best use of their platform.

    Lesson for speakers: Don’t feel like you have to reinvent the wheel… or the Zoom presentation. Talk to other folks who’ve already done them. What worked? What do they wish they’d done differently? Talk to the event organizers about any aspect of the event or the presentation platform you’re unsure of. And if you’re shaky on the audio or video side of things, consider hiring an AV pro to help walk you through.

    Be ready to change direction when opportunities arise.

    Virtual events have a built-in flexibility to them; instead of reprinting schedules or hauling tables and chairs between rooms, you can respond to opportunities for more meaningful engagement with a few quick edits. Just balance that flexibility with a healthy respect for your participants’ expectations — and your organization’s process for amending agendas.

    Lesson for speakers: Let organizers know if something they’re considering changing will affect your presentation, but roll with changes as well as you can — and if you end up building off those changes to do something unexpected and delightful in your presentation, so much the better!

    Technology

    Think in terms of many screen sizes.

    Audiences may be joining you on many different kinds of screen, from big 4K desktop monitors to laptops and tablets to mobile phones. As you’re choosing your event platform, and then planning content for the event, aim to give people an experience that will be tasty on the bigger screens but still work well on, say, an older smartphone. Try not to require them to have multiple windows open and tiled at the same time; let them focus.

    Lesson for speakers: Think of what’s going to happen to that detailed graph if it’s shrunk down to fit an inset over a video of you speaking, and if all of that is going to be on the screen of someone’s phone or a relatively small tablet. (Or if they’re using a laptop, but they have to keep another window open and they’ve reduced yours to a quarter of their screen.) Double down on visual simplicity.

    Throw out the manual.

    Well, maybe not throw it out. But don’t feel wedded to it. The platform we used, Chime Live, included a fun little feature that let participants snap and share selfies. Delegates quickly started using the selfie feature to visually express their support for candidates in the Federation’s elections. And then on the last day of convention, we repurposed it for an electrifying visual show of solidarity with Indigenous peoples.

    Lesson for speakers: Look at the technology with fresh eyes. Are there unexpected ways to use the platform’s features — or video presentation generally — to engage your audience? (Just be sure to check in with event organizers that what you have in mind won’t run afoul of their plans.)

    Build a rock-solid backchannel.

    Say a video file’s corrupted and the tech team needs the host to vamp for five minutes. Or attendees are complaining that the audio’s out of sync. Event organizers, tech staff, organizational staff, hosts and speakers all need to be able to communicate quickly if the unexpected happens (or if the expected fails to happen).

    That’s when you need a backchannel: a way to communicate behind the scenes without disrupting the event for participants. At face-to-face events, that’s often walkie-talkies; for virtual events, your backchannel can be as simple as a group text chat, a Slack channel or a conference call. But you want it to be live, very reliable and constantly monitored.

    Lesson for speakers: You need that backchannel too, and you need a way of monitoring it. It’ll be how the organizers let you know that, say, your video connection is breaking up, or they’ve had a scheduling issue come up and you need to wrap early. It can also be how they alert you to comments and questions popping up from attendees. Figure out what will work for you and the organizers. Your backchannel should probably be to just one person, so you aren’t distracted by a flurry of messages while you’re presenting.

    Do whatever it takes to have great sound.

    Video gets all the attention when it comes to virtual events, but it’s amazing how much easier it is to tolerate less-than-cinematic visuals than it is to endure distorted, low-quality audio. Check in with your presenters, and make sure all of them are going to use a good external mic — and not just whatever’s built into their computer, tablet or phone. And for speakers who may not be all that tech-savvy, consider shipping them a decent USB microphone, either on loan or as a gift.

    Lesson for speakers: Enough futzing with your backdrop — it’s time to get serious about how you sound. Invest in a USB microphone, or a plug-in clip-on mic (this gem from Røde really gets the job done, and there’s an adapter if you aren’t using it in a smartphone’s combo jack).

    Train and guide your audience.

    Some of your attendees may have been to more than a handful of virtual events, but chances are the vast majority are still new to this. And even if they’ve done their share of Zoom calls, your virtual event platform is probably going to be terra incognita. The BCFED convention always features an introductory session for first-time delegates, but this time we encouraged everyone to attend and walked them through how to work with the online platform. And since nobody remembers everything you throw at them in an orientation session, we built in reminders and prompts throughout the event.

    Lesson for speakers: You’re part of the solution here too. If you’re using the platform for participant engagement, remind them how to use it — especially the first time around. If you’re asking them to do something a little elaborate, build in some time for walking them through the process. And be sure to train yourself. Every platform has its own little quirks, and there’s very little standardization.

    Embrace the screwups… and move on.

    They’re going to happen. Sound might be out of sync with video; a third-party service outage may mean some features on your platform aren’t working; a phone-in connection may be distorted and incomprehensible. Your participants expect you to fix them — but they’re also going to cut you a lot of slack, because glitches are just part of online communication. (And anyone who’s had trouble getting their laptop to talk to a conference projector, or had their mic cut out on them mid-talk, can tell you it isn’t just online events that are prone to misfires!)

    So be gracious, acknowledge the issue with good humour and let people know you’re working on it. Then move things along, adapting as necessary. If you have to suspend things for a few minutes, having a video clip ready for just such an eventuality can be a life-saver.

    Lesson for speakers: Your graciousness and sense of humour will serve you well; how you respond affects how the audience responds. If you start showing frustration (or, worse, making digs at the organizers or tech staff), you’ll turn the glitch into the main event instead of a sideshow — and make yourself a lot less sympathetic. Instead, acknowledge the issue, trust the organizers to fix it however they can, and focus on delivering your presentation as well as possible: You’ll be a hero all around.

    Content

    Organizers and speakers alike need to think carefully about content, and how to adjust their approach from offline presentations. What worked well in the past for face-to-face audiences may not connect once you’re on the the other side of a camera and a screen. And the online world offers its own unique opportunities. (The lessons here for speakers and organizers are similar enough that I haven’t broken them out in this section.)

    Take every opportunity for interaction.

    The appetite our audience had for interactivity caught me completely by surprise: Every single activity we offered, our audience jumped in with both feet. Even our joke poll at the beginning to get people used to how to vote — it was over whether to ban pineapple on pizza — prompted a lively tongue-in-cheek debate that spilled over onto Twitter. That may partly be because people are used to being able to post, like and comment online; they’re primed for engagement. So make the most of that by giving them every opportunity for interaction.

    Keep it short.

    As we thought through our agenda, 40-minute keynote slots shrank to 20 minutes, then 10. It was partly to give delegates the most report- and resolution-debating time possible, but it was also a recognition that 40 minutes is a long time on video. (It’s too long for most in-person speeches, too, but that’s a topic for another time.) It’s not that it can’t be done, but if you want a long presentation, make sure it’s chunked out with change-ups and surprises every five to 10 minutes. (I talk about how and why to do that in this episode of the Leadership Communications Podcast.)

    Consider ditching the slides.

    I approach PowerPoint with a little skepticism at the best of times. Offline, slides can compete with you for your audience’s attention. Online, their attention is already divided: between what’s going on around them at home and what’s happening on the screen; between the event website and everything else they can do on their devices; between your presentation and the other features of the event platform. Why slice up whatever share you still have of their attention even further?

    It’s not that slides don’t add anything. But you have to weigh whatever value they bring to your presentation against their cost in distraction (and visual clutter).

    Use video for more than just speakers.

    A showcase of videos made by our affiliate unions aired during breaks (both planned and, ahem, otherwise), and went over beautifully — they were a welcome change of pace. And a closing video with a performance of Solidarity Forever was a lovely coda to the whole event. Consider how you can use video clips to switch up the energy of your event. And speakers, consider incorporating video clips within your presentation as one of your changeups.

    Make your audience co-creators of the conversation.

    One kind of interaction is creating content. Selfies, short video clips, text comments, memes: There’s something very powerful about inviting your audience to contribute content, and then sharing it in real time.

  • Ep. 63. Less is more, and short is beautiful

    Ep. 63. Less is more, and short is beautiful

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    Listen here

    Presenting online? Don’t make the mistake of thinking longer is better. When you’re speaking via video, you want to keep things short. Here’s how to embrace short, even when you’re scheduled to run long.

    Links: We spoke to Dr. Nick Morgan back in episode 58. His latest book is Can You Hear Me? How to Connect With People In a Virtual World.

    And since I recorded this episode, a new book is on the scene: Standout Virtual Events by David Meerman Scott and Michelle Manafy. It’s really, really worth reading, whether you’re a speaker, an event planner or just someone trying to wrap your mind around how things are changing in the way we come together to share knowledge, ideas and experience.

    Photo: Vlad Tchompalov on Unsplash

     

  • Ep. 62. Zoom out! You’re more than just another face

    Ep. 62. Zoom out! You’re more than just another face

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    Listen here

    There’s a lot more to you on video than just your head and shoulders! Here’s what you (and your audience) are missing by not letting the rest of your body get in on the act.

    Resource: Hanna Thomas Uose‘s post The Trauma of Zoom

    Music: All music is by Lee Rosevere. The theme music is “Twitter Will Kill Us All.” Used under a Creative Commons license.

    Image: Robert Thiemann on Unsplash

  • Ep. 60. The pivot: Mozilla adapts to communicating in the lockdown

    Ep. 60. The pivot: Mozilla adapts to communicating in the lockdown

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    Listen here

    This time, we look at how the technology visionaries at Mozilla are making the pivot from face-to-face leadership communications to virtual channels. We’re joined by Justin O’Kelly, Mozilla’s senior executive communications manager.

    Links: Mozilla, makers of Firefox, Monitor, Send and more.

    Music: All music by Lee Rosevere. Theme: “Twitter Will Kill Us All.” Used under a Creative Commons license.

    Image: from Mozilla

     

  • Why we love ScreenFlow: screen capture for the Mac

    If you spend any time teaching people about online tools, or documenting them, or pitching them, chances are you’ve thought about screen capture software. And last week, a post on the Web of Change email list asked for recommendations on just that topic.

    I weighed in on the side of Telestream’s ScreenFlow, and I’m sharing it here in case you’re looking for something for your next computer or Internet tutorial:

    I have a two-year torrid love affair with ScreenFlow (although Darren Barefoot has actually proposed to marry it, so consider me trumped). It’s Mac-only, but if you’re in the Apple universe, you get an awful lot for the $99 pricetag.

    Here’s some of what I like:

    • A simple, intuitive editing interface that – for me, at least – beats the more recent versions of iMovie for making sense right off the bat
    • Fast and easy creation of callouts (that is, highlights, with background blurring and darkening, and foreground zooming)
    • Fast and easy annotation with text and shapes
    • Easy addition of new recordings
    • Simple adjustment of playback speed

    And here’s some of what I’d like to see:

    • Clip masking or cropping (Update: Lynn from ScreenFlow comments below that you can crop a clip by selecting it and then ctrl-dragging the sizing handles. Huzzah!)
    • Integrating edited clips into one, so you can then apply affects to the whole
    • Customizable presets for text, annotations and callouts
    • More customization in the export settings, especially publishing
    • Better HTML5 support in publishing

    Check out some of the other feature requests from the user community.

    A note: because its export function relies on QuickTime, you’re limited to Apple’s selection of video formats (of which H.264 is probably the most universal). So if you have your heart set on WebM or Ogg, you’re out of luck.

    How about you? Got a favourite screen capture tool? Do you use QuickTime’s free screen recording feature on the Mac? CamStudio on Windows? Camtasia? Jing? Make your case in the comments!*

    * Vendors, you know we love you, but please leave this conversation for users and customers. Thanks!

  • Why we love ScreenFlow: screen capture for the Mac

    If you spend any time teaching people about online tools, or documenting them, or pitching them, chances are you’ve thought about screen capture software. And last week, a post on the Web of Change email list asked for recommendations on just that topic.

    I weighed in on the side of Telestream’s ScreenFlow, and I’m sharing it here in case you’re looking for something for your next computer or Internet tutorial:

    I have a two-year torrid love affair with ScreenFlow (although Darren Barefoot has actually proposed to marry it, so consider me trumped). It’s Mac-only, but if you’re in the Apple universe, you get an awful lot for the $99 pricetag.

    Here’s some of what I like:

    • A simple, intuitive editing interface that – for me, at least – beats the more recent versions of iMovie for making sense right off the bat
    • Fast and easy creation of callouts (that is, highlights, with background blurring and darkening, and foreground zooming)
    • Fast and easy annotation with text and shapes
    • Easy addition of new recordings
    • Simple adjustment of playback speed

    And here’s some of what I’d like to see:

    • Clip masking or cropping (Update: Lynn from ScreenFlow comments below that you can crop a clip by selecting it and then ctrl-dragging the sizing handles. Huzzah!)
    • Integrating edited clips into one, so you can then apply affects to the whole
    • Customizable presets for text, annotations and callouts
    • More customization in the export settings, especially publishing
    • Better HTML5 support in publishing

    Check out some of the other feature requests from the user community.

    A note: because its export function relies on QuickTime, you’re limited to Apple’s selection of video formats (of which H.264 is probably the most universal). So if you have your heart set on WebM or Ogg, you’re out of luck.

    How about you? Got a favourite screen capture tool? Do you use QuickTime’s free screen recording feature on the Mac? CamStudio on Windows? Camtasia? Jing? Make your case in the comments!*

    * Vendors, you know we love you, but please leave this conversation for users and customers. Thanks!

  • Why we love ScreenFlow: screen capture for the Mac

    If you spend any time teaching people about online tools, or documenting them, or pitching them, chances are you’ve thought about screen capture software. And last week, a post on the Web of Change email list asked for recommendations on just that topic.

    I weighed in on the side of Telestream’s ScreenFlow, and I’m sharing it here in case you’re looking for something for your next computer or Internet tutorial:

    I have a two-year torrid love affair with ScreenFlow (although Darren Barefoot has actually proposed to marry it, so consider me trumped). It’s Mac-only, but if you’re in the Apple universe, you get an awful lot for the $99 pricetag.

    Here’s some of what I like:

    • A simple, intuitive editing interface that – for me, at least – beats the more recent versions of iMovie for making sense right off the bat
    • Fast and easy creation of callouts (that is, highlights, with background blurring and darkening, and foreground zooming)
    • Fast and easy annotation with text and shapes
    • Easy addition of new recordings
    • Simple adjustment of playback speed

    And here’s some of what I’d like to see:

    • Clip masking or cropping
    • Integrating edited clips into one, so you can then apply affects to the whole
    • Customizable presets for text, annotations and callouts
    • More customization in the export settings, especially publishing
    • Better HTML5 support in publishing

    Check out some of the other feature requests from the user community.

    A note: because its export function relies on QuickTime, you’re limited to Apple’s selection of video formats (of which H.264 is probably the most universal). So if you have your heart set on WebM or Ogg, you’re out of luck.

    How about you? Got a favourite screen capture tool? Do you use QuickTime’s free screen recording feature on the Mac? CamStudio on Windows? Camtasia? Jing? Make your case in the comments!*

    * Vendors, you know we love you, but please leave this conversation for users and customers. Thanks!

  • Common Craft’s latest move helps point the way for content creators

    Sachi and Lee LeFever’s company Common Craft has reinvented itself a few times… and each time, they just get more and more useful. From an online community consulting firm, Common Craft turned into a creator and provider of simple, charming and monstrously popular explanatory videos – starting with the now-famous RSS in Plain English.

    Now they’ve relaunched Common Craft with a membership model for anyone who wants to help educate others. Join for a reasonable fee (there’s a reduced rate for schools and non-profits) and you gain access to the entire Common Craft library, which you can use in presentations or embed on your site.

    There are a lot of reasons I’m delighted by this latest evolution, not the least of which is my happiness at seeing friends succeed. But maybe the biggest one is this:

    Nearly every traditional business model for content creation is in turmoil these days. Books, newspapers, television, movies, music — all of those industries are scrambling to cope with the challenges of a new and dynamic digital world. So when someone comes along who can create something terrific, who can do it really well, and can turn that into a viable business, it offers real hope for anyone who wants to earn a livelihood from their creative talents and skills.

    Maybe, on a good day, I could whip up an explanation of what I mean using paper cutouts and a whiteboard. But I think I’ll leave that to the experts.

  • Let your fingers do the climbing… and the opting out.

    [youtube]http://www.youtube.com/watch?v=GYTwMV7ZISo[/youtube]

    Two enterprising folks dropped by the Yellow Page Group corporate headquarters in Montreal and built a small mountain of more than 500 unwanted Yellow Page directories in front of it… and interviewed a YPG rep brave enough to defend the indefensible.

    (How enterprising? One is Aimee Davison, who is currently blogging about doing 100 interesting jobs by the end of the year. The other is Kyle MacDonald, whom you may remember as the guy who traded a single red paper clip for a house.) (Not all at once. He traded steadily up.)

    There’s a lot to like about this video, but let me single out just one thing: the fact that the corporate rep is there at all, and is allowed to make her case. That ultimately makes the piece far more effective and persuasive; you hear the pro-Yellow Pages argument, but see it contradicted by the video evidence the video-makers gathered.

    The staggeringly bogus “only one per cent of Canadians opt out” argument might be my favourite moment, though. That number might well be accurate. But…

    • Given how little effort YPG puts into promoting their opt-out web page, and the fact you have to keep renewing your opted-out status, I’m pretty impressed that it’s that high.
    • And ask yourself: how high would it be if people had to opt in using the same process?

    To opt out of getting the Yellow Pages:

  • Rob on what 2010 will bring for social media

    I missed passing this along when it first came out, because I didn’t know those nice CBC people had put it on YouTube. It’s their segment on what to expect in 2010 for social media, based on an interview they did with me in their stunning new Vancouver studios.

    The key point for me is that I’m finding people are becoming more deliberate and discerning about where they direct their attention, whether it’s in who they friend, what they watch or which applications they install on Facebook. (That doesn’t mean I’ll always agree with the choices they make: witness the rise of FarmVille. [shudder])

    And in the background, yes, you’ll see VanTrash on my screen.

    Enjoy… and see what you think of how my predictions are turning out one month in.

  • Personalized video, Facebook widget raising funds for BC Children’s Hospital

    As causes go, you can’t get much closer to our hearts than with a children’s hospital. The thought of having to take one of our kids there is wrenching, and I’m sobered by the fact that thousands upon thousands of children – and their parents – go through that every day.

    We want those kids to get the care they need swiftly and effectively. We want our best medical knowledge brought to bear, and we want clean, quality facilities that promote good health as well as healing sickness.

    So we jumped at the chance to work with the BC Children’s Hospital Foundation, helping them chart a social media strategy for engaging their audiences and raising money. The focus is their “Be a Superhero” campaign, in support of their $200-million plan to create one of the world’s top centres for children’s health.

    Our first efforts are now live online, centered around what we believe is the first use of personalized video as a donor recognition and fundraising tool. The Be a Superhero video shows a newscast – using the donor’s or prospect’s name – that either thanks them for being a hero to BC kids, or invites them to step up to the plate.

    Superhero Facebook applicationBut it doesn’t end there. You can add your superhero video to your Facebook profile and launch your own Facebook-based fundraising campaign, inviting your friends to be superheroes as well.

    (We’ve also been helping the hospital engage their fans on Twitter – you can follow the foundation at @bcchf.)

    It’s still early days, but we’re excited about breaking new ground for the hospital, and helping kids like ours across BC… and we’d love it to succeed. If you’d like to help, too, here’s how:

    1. Watch the video, and send it to as many of your friends as you can.
    2. Add the Facebook application, and install the fundraising widget on your profile.
    3. Become a fan of the BC Children’s Hospital Foundation Facebook page.
    4. Follow BCCHF on Twitter.

    And finally…

    Vancouver’s Twestival is coming on September 12, organized by the amazing Rebecca Bollwitt, aka Miss604.

    Rebecca has launched an online poll to decide which local non-profit should be the beneficiary of the Twestival’s fundraising efforts – and the BC Children’s Hospital is a strong contender.

    Voting closes tomorrow (Friday), so if you could take just a moment and vote now, or using the poll on the right-hand side of this page, we’d be delighted… thanks!